More evocations of this style are evident in the shorter film THE POET AND THE POND (6 min, sound), an amalgam of patterns and repetitions that also bring to mind both the disciplined litanies of Marcel Duchamp and the surreal dreamscapes of Salvador Dali. (Scharres indicated in her piece that Bruns “is largely unfamiliar with the tradition into which his work clearly falls,” making all these comparisons, hers and mine, thought-provoking. How is it that an artist can so fully exude his own style that seems to be the product of certain influences, but isn’t?) -Karen Sachs