36 refers to both aesthetic traditions of abstract painting and the structural approaches of early geometric films (such as those of Walther Ruttmann and Hans Richter). At the same time, other associations arise, such as early video games and their restricted movement, which was limited to the main axes. When watching 36, an unbelievable tension and concentration develops for the viewer, caused not least by the clarity of the concept and the reduction of the means. (Gerald weber)